JAKE MUIR

PRE-ORDER: Releases 8 May

New from enmossed

Pareidolia
by Jake Muir

𐕣 recycled vinyl (random color mix) by Donaldson Pressing
𐕣 textured paper jackets offset printed full CMYK
𐕣 300 gsm paper obi strip
𐕣 recycled paper insert with silver foil layer
𐕣 edition of 300

Named after the tendency to impose familiar likenesses, such as faces, on random - usually inanimate - objects, 𝑷𝒂𝒓𝒆𝒊𝒅𝒐𝒍𝒊𝒂 is Jake Muir's way of interpreting the consonances between so-called “ambient” music and extreme heavy metal. Extracting the headiest, most atmospheric sections from hundreds of death metal and black metal tracks, Muir plays the role of both DJ and electroacoustic composer, concocting a lysergic elixir of fractal distortions and prolonged, decelerated riffs that slowly evaporates into iridescent vapor. If there's any trace of the original sources left, Muir makes sure that residue is subtly bewildering, like clouds in the sky that form imposing, larger than life images, or trampled bracken that falls into the shape of “trve kvlt” insignia.

The idea for the album materialized when Muir was working on 2022's 𝑻𝒂𝒍𝒊𝒔𝒎𝒂𝒏, his collaborative album with multi-instrumentalist Evan Caminiti. Processing guitar for the first time, Muir began to unpack his long relationship with rock music and its Escher-like maze of sub-genres, from the tech metal he obsessed over as a teenager to Loop and Main's drone-y, textured variants. Scraping the internet for unconventional contemporary metal albums, he stumbled across music that seemed to hover between different realms, merging its frenetic, noisy sections with psychedelic interludes that harmonize with classic industrial and avant-garde music, material like :zoviet*france:, Nocturnal Emissions and Z'EV.

Muir fixates on this semi-permeable membrane on 𝑷𝒂𝒓𝒆𝒊𝒅𝒐𝒍𝒊𝒂, infusing his pitch-skewed weightless drones with gravel and aerating his archive of rasping samples with a sense of euphoria that might seem contradictory at first. Evocative creaks and rainfall sounds create layers of noise around a staccato pluck on 𝘖𝘣𝘭𝘪𝘷𝘪𝘰𝘯 and Muir's theme begins to crystallize. The inherent rhythm forms a slow, ritualistic thump and the additional sounds - celestial wails and goosebump-inducing harmonic rattles - form an imposing, painterly backdrop. On 𝘌𝘢𝘤𝘩 𝘜𝘪𝘴𝘨𝘦 meanwhile, the high pitched guitar sounds cascade over gorgeous choral pads, while dissociated vocal pops and cracks vanish into the darkness.

𝑷𝒂𝒓𝒆𝒊𝒅𝒐𝒍𝒊𝒂 is an album that plays like an optical illusion: 𝘜𝘯𝘩𝘰𝘭𝘺 𝘈𝘱𝘱𝘢𝘳𝘪𝘵𝘪𝘰𝘯𝘴 transforms bone-rattling foley sounds and unnerving groans into woozy, psychedelic textures and 𝘈𝘯𝘪𝘮𝘢 steams doomy riffs and haunted clanks until they float like the erotic soundscapes that curled through Muir's breakout 𝑩𝒂𝒕𝒉𝒉𝒐𝒖𝒔𝒆 𝑩𝒍𝒖𝒆𝒔. It's an act of sonic sleight of hand that feels fittingly disorienting. Heavy doesn't need to be deafening.

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Jake Muir is an LA-based artist, DJ, and field recordist working with found sound. He approaches his practice as a listener first, carefully curating, layering and processing sounds that help him deconstruct and contextualize his lived experiences and influences. Using investigative software methodologies, DJ techniques, and dextrous engineering, Muir makes deeply personal sonic art that fluidly traverses genre, encouraging reflection, and sometimes prompting psychedelic states.

Muir’s work has been presented at various spaces and festivals including INA-GRM (Paris), Public Records (NYC), Roter Salon (Berlin), Blitz Club (Munich), Human Resources (Los Angeles), The Lab (San Francisco), Honcho Campout (PA), and Sustain Release (NY). His recordings have been published by Sferic Records, Ilian Tape, enmossed, Dust Editions, Further Records, and Boomkat Editions.
Muir has recorded mixes for the likes of NTS Radio, dublab, The Lot Radio, Refuge Worldwide, Kiosk Radio, Honey Soundsystem, 3XL, Motion Cast, and c-.

Muir has been featured in The Guardian, Pitchfork, Resident Advisor, Mixmag, The Face, Passion of the Weiss, and more. His work has also been featured in several end of year lists published by Pitchfork, Mixmag, and Passion of the Weiss.

releases May 8, 2026

Recorded and mixed by Jake Muir
Mastered by Glyn Maier for PLEN Audio
Photography by Jake Muir
Design template by Joe Bastardo